Sandro Botticellis Painting, The Birth of Venus :: Visual Arts Paintings Art

Sandro Botticellis Painting, The Birth of genus VenusSandro Botticelli (1444-1510) was a Florentine painter. Almost all ofBotticellis life was spent in Florence. His genre of photo wasbased around mythological ideals and also religious subject matter.Botticelli painted in a highly personal style characterized by elegantexecution, a sense of melancholy, and a strong emphasis on linedetails appear as sumptuous still lifes. His paintings like The Birthof Venus, were a great impact on the Humanist artistry movement. Humanismwas a belief in human effort rather than religion, showing emphasis oneducation and the expansion of knowledge focusing especially onclassical antiquity.1The Birth of Venus shows Venus riding upon a giant cockle shell,intently this focuses our attention directly towards her. Otherfigures in the painting include Zephyrus (the west wind) and the nymphPomona. The painting is a mythological narrative which illustrates thebirth of Venus, goddess of love.2 The narrative h as abandoned us theexplanation that Zephyrus (the west wind) blows Venus, born of thesea foam and carried on a cockle shell, to her sacred island, Cyprus.There, the nymph Pomana runs to meet her with a brocaded mantle.3Botticelli has achieved a sense of movement in the painting Zephyrusgusts catch the brocaded mantle in undulation, carrying also theperfumed rose petals that swiftly fall upon the whitecaps.The Birth of Venus was painted in ca.1482 and has been exhibited atthe Galleria degli Uffizi in Florence. This painting was intended tobe one of Botticellis most famous artworks painted for the Medici.The Medici were enthusiastic art collectors of the humanist artmovement during the Renaissance. This painting can also be considereda relevant work of art, and the rebirth of the ancient ideal of beautyin the early Renaissance.The Birth of Venus is a work measuring approximately 5 8 x 9 1.

Hamlets Emotions, Actions, and Importance in the Nunnery Scene Essay

Hamlets Emotions, Actions, and Importance in the Nunnery Scene Like sweet bells jangled, out of measure and harsh Hamlets trust is betrayed by the people who are dearest to his heart (III.i.87). The theme of betrayal takes root before the Shakespeares tragedy begins, when Hamlets uncle murders his father and marries his mother. These enormous betrayals, on with other pointed deceptions, justify many of Hamlets words and actions. A striking example of the deceit Hamlet endures can be seen in act three, scene wizard of Hamlet the nunnery scene. When Hamlet steps through the entryway he walks into a web of secrets, deception, and dishonesty. Determined to discover the nature of Hamlets madness, the king and Polonius have summoned Hamlet to a place where they know he will run into Ophelia under their observation the scene is a set-up. Hamlet is spied on by his stepfather and lied to by his make out in this moment of cruel deceit. In Oliviers 1948 film version of Shakespeares Haml et, the nunnery scene allows Hamlet to articulate his frustration without confronting his enemies. Hamlet enters the scene fully aware of its maudlin nature, like an actor taking his place on the stage. The ensuing performance is that of a narcissistic child wining just to hear the sound of his own function Oliviers Hamlet has no real interaction with any of the other characters in the scene. Oliviers choice to focus on Hamlet and his feelings, rather than the action going on around him, is highlighted in the nunnery scene and evident in the entire play Branagh, on the other hand sees Hamlet as a exciting twaddle of courtly intrigue and deception. Branagh s Hamlets truly affected by the action unfolding Oliviers open and abstract nunnery... ...with the deceit of those around him. Branaghs attempt to widen the background knowledge of his Hamlet, beyond Oliviers interpretation of the play as a look into the main characters mind, allows him to generate a Nunnery scene far more eng aging than Oliviers. Though it offers elicit insight into Hamlets mind, Oliviers Nunnery Scene offers the audience no plot advancement and little action. By sharp contrast, Branaghs rendering unfolds to reveal exciting twists in the story and focus conflict among the characters as they actively betray Hamlets trust. Works Cited Carr, Jay. Full-length Hamlet still swift. The Boston Globe January 1997 C5 Hamlet. Videocassette. Dir. Laurence Olivier.1948. Hamlet. Videocassette. Dir. Kenneth Branagh. 1996. Shakespeare, William. Hamlet. Ed. Cyrus Hoy. Norton Critical Series. 2nd Edition. New York Norton, 1992.